Nov 29 2018
“Will no one rid me of this turbulent queen?” is something that Elizabeth I of England does not ever quite say in Schiller’s five-act verse drama, Maria Stuart, but the sentiment lurks behind practically everything that she does say. The play begins with Mary, Queen of Scots, under house arrest in Fotheringhay, the place that …
Permanent link to this article: https://www.thefrumiousconsortium.net/2018/11/29/maria-stuart-by-friedrich-schiller/
Jul 16 2018
At the opening of The Maid of Orleans, as Schiller’s five-act verse tragedy is known in English, France is divided among three parties: English troops who have taken Paris and the north in pressing their king’s dynastic claim to the French throne, southern lands held by the Valois king Charles VII, and Burgundy in the …
Permanent link to this article: https://www.thefrumiousconsortium.net/2018/07/16/die-jungfrau-von-orleans-by-friedrich-schiller/
Feb 10 2018
From the subtitle, “A Bourgeois Tragedy” to the Romeo and Juliet references that crop up in discussions of the play, it’s clear that Kabale und Liebe (Intrigue and Love, although I am glad to see that at least some translators go with the better order of Love and Intrigue) is not going to end well …
Permanent link to this article: https://www.thefrumiousconsortium.net/2018/02/10/kabale-und-liebe-by-friedrich-schiller/
May 11 2017
The cover says that Militärmusik is a novel, but I suppose the main point of that designation is to relieve Wladimir Kaminer (why doesn’t he use the usual transliteration in English?) of any obligation even to pretend to be telling a true story. I mean, Militärmusik is told in the first person, the main character …
Permanent link to this article: https://www.thefrumiousconsortium.net/2017/05/11/militar-musik-by-wladimir-kaminer/
May 01 2017
The height of my to-be-read pile could be measured in years, if the books could somehow fit into a unified pile. And that doesn’t count a particular moving box in the basement, in which some really good books, or at least some really interesting-looking books are awaiting their turn to come upstairs. (Some of them …
Permanent link to this article: https://www.thefrumiousconsortium.net/2017/05/01/tales-of-the-squee/
Feb 25 2017
“Schiller’s Wallenstein is so great that there is nothing else like it.” — Goethe How’s that for a blurb? Goethe didn’t just offer praise, he directed the premiere of all three parts of Schiller’s Wallenstein trilogy. The third, Wallenstein’s Death (published as Wallenstein II, as the two previous plays comprise the first volume), comes from …
Permanent link to this article: https://www.thefrumiousconsortium.net/2017/02/25/wallenstein-ii-by-friedrich-schiller/
Feb 04 2017
The best thing about zipping through Wikipedia’s entry on these two plays by Friedrich Schiller — the first volume of Schiller’s Wallenstein plays comprises Wallensteins Lager (Wallenstein’s Camp) and Die Piccolomini (The Piccolomini) — was learning that Goethe directed both premieres. (He also directed the premiere of the trilogy’s third part, but I am still …
Permanent link to this article: https://www.thefrumiousconsortium.net/2017/02/04/wallenstein-i-by-friedrich-schiller/
Sep 16 2016
This spring I went to Weimar. It’s a good weekend outing from Berlin, about three hours by train, and it’s lovely in May. The park on the Ilm, in particular, is splendid, with views and points of interest coming in and out of sight just as Goethe had intended. His country house, where he lived …
Permanent link to this article: https://www.thefrumiousconsortium.net/2016/09/16/die-rauber-by-friedrich-schiller/
Jun 10 2015
In the mid-1990s, Steffen Möller went against the usual tide of migration and moved from Germany to Poland. He started with a two-week language course in Krakow, which he found out about from a poster hung in his university’s cafeteria. From such a simple starting point, his whole career grew: first as a student of …
Permanent link to this article: https://www.thefrumiousconsortium.net/2015/06/10/viva-polonia-by-steffen-moller/
Oct 14 2014
This was the immensely satisfying end to a very good trilogy, although I will have to think about it a little longer to say just why. The author thanks her English translator in the acknowledgements to German edition, so she is presumably very happy with its rendering as Inkdeath.
Permanent link to this article: https://www.thefrumiousconsortium.net/2014/10/14/tintentod-by-cornelia-funke/
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