Jun 18 2021

One Last Stop by Casey McQuiston

Oh, man, this is one of those books I just want to muppet flail over.

I greatly enjoyed Casey McQuiston’s debut romance, Red, White & Royal Blue but even in the closing paragraphs of my review for that novel, I was already wistfully looking ahead to this one. Which is thematically fitting, because this lightly sci-fi romance about time dilation gave me all the feels I was looking for with RW&RB. There were still a few things that a really stringent line editor should have caught (e.g. Van Gogh didn’t work in watercolors, the whole deal with the knife) but feelings-wise, this was so thoroughly and utterly believable that it made me want to believe these are real people in New York City living their best lives, I love them all so much!

So August Landry had a mom who raised her to be Veronica Mars, and since all the cool kids know what a shitty time Veronica had in high school, this was not a great thing. Suzette Landry was obsessed with finding her missing brother, to the point where August was treated less as a daughter than an investigative assistant. By the age of 18, August had had enough and took off for college. A lifetime of friendlessness is a hard thing to overcome, tho, and so she drifts from school to school till finally settling in New York City for what she hopes will be her last year before graduating.

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Jun 17 2021

The Chosen And The Beautiful by Nghi Vo

I’ve read F Scott Fitzgerald’s The Great Gatsby twice, and each time I’ve been baffled by the acclaim*. Much like the critics of its time, I think the book is fine, but not much more than that. The trouble is that Gatsby is an idiot, Nick not much better, and Tom and Daisy are just awful. The only character I’ve ever cared about was Jordan Baker, which is honestly the main reason I agreed to read and review this magical, queer, Asian adaptation of it.

Tho that isn’t entirely accurate: I picked it up because I really dig Nghi Vo’s writing, and loved the idea of her spinning a fresh view of the classic story by centering the only character I found remotely bearable in it. In this adaptation, Jordan is the adopted Vietnamese daughter of the moneyed, blue-blooded Baker family. She moved away from the Middle West to live with her suffragette Aunt Justine in New York City, and spends most of her time on the town when not playing in golf tournaments. Through her old friend Daisy Buchanan, she meets Nick Carraway, whom she has to rescue from one of Jay Gatsby’s infamous parties. They get involved but everything ends poorly for everyone.

Plot-wise, the book is faithful to its source material, only adding in magic as a fillip that does more for Jordan’s story than anyone else’s. There are several interesting plot twists, mostly to do with the paper-cutting magic Jordan inherently knows, and lots of interesting notes on what it’s like to be Asian in a primarily white environment. That last is probably The Chosen And The Beautiful’s greatest strength, as Jordan navigates the casually racist high society of Jazz Age America. She’s both a part of and separate from it, both clinging to and repulsed by a world that’s all she’s ever known, tho she strongly suspects there’s much more outside it. This struggle to reconcile the dominant milieu with her sense of self is certainly far more compelling than Gatsby’s, in large part due to the fact that she’s not basing her entire life’s purpose on her idea of another person. As an Asian person who’s often found herself the minority participant in many situations, whether it be for reasons of race or class or wealth, I found Jordan’s wry observations to be extremely relatable.

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Jun 15 2021

The Hellion’s Waltz (Feminine Pursuits #3) by Olivia Waite

Sophie Roseingrave’s family lost nearly everything to a swindler who managed to steal not only their fortune but also cast a pall over their good name. Branding is everything when you’re in the business of making and selling fine musical instruments, and while no one can gainsay the quality of their pianos, no one wants to be associated with fraud either. Forced to abandon London and settle in the northern mill town of Carrisford, Sophie especially is on high alert for anything that could possibly endanger her family again.

So when she accidentally spies an exchange that seems to take advantage of the desperation of beautiful silk weaver Maddie Crewe, she thinks nothing of chasing down Maddie to alert her against being conned as well. Only Maddie has an unexpected response: she warns Sophie off, to the latter’s confusion. As Sophie slowly realizes that Maddie is the one running the con, she needs to decide how strongly her antipathy to this kind of thing can resist the lure of Maddie’s dancing eyes and, eventually, fiery kisses.

This was such a delightful confection of a historical romance as Sophie and Maddie not only fall in love but run a sting on an exploitative businessman, all while helping Sophie regain confidence in her own abilities as a musician. It had killer depictions of both the music and textile industries in the 19th century, and I loved that neither of our heroines were royalty, which is one of my biggest turn-offs for a romance novel. It all felt rather like a gentler Sarah Waters.

Tho, were I to be strictly accurate, it felt more like a Sarah Waters novella. There’s a lot of meat in this slender volume, but I do think it could have been expanded significantly, particularly in the relationship between the heroines. While I don’t mind how quickly the lust turned into love, I did feel that Sophie overcame her distrust of con artists much more easily than her background warranted. In general, there was a lot more telling than showing with things such as Mr Giles’ cruelty, Jenny’s tale and Maddie’s stepfamily. I definitely wanted more exploration of feelings, more depictions of action, gosh, even more sex scenes. There were two? Which is quite greedy of me, I know, but I really enjoyed these characters and their story, and think they were all given a bit shorter shrift than deserved.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2021/06/15/the-hellions-waltz-feminine-pursuits-3-by-olivia-waite/

Jun 14 2021

Ten Low by Stark Holborn

Welcome to one of the last planets on the outskirts of the galaxy: the low-oxygen, mostly desert, way out of the way Factus. This dusty little outpost didn’t take a side in the war between the Accord and the Free Limits, not that either power had much use for the waterless wasteland anyway. With the FL defeated, the Accord has half-heartedly taken to administering Factus, but their forces are spread thin and lawlessness is the norm. So it’s the perfect place for an ex-army medic named Ten Low to travel the barrens, trying to atone for her sins during the war by saving lives now, no questions asked.

When Ten witnesses a fiery crash in the desert, she’s the first person on-scene. There’s only one survivor, a young girl Ten knows she has to get out of the wreckage before the Seekers, a cult feared for their allegiance to the strange beings that live in the wilds of Factus, come and find them. But Seekers aren’t the deadliest threat to Ten or to the girl, who turns out to be the fearsome, decorated General Gabriella Ortiz of the Accord, a child-soldier specifically engineered for warfare. Once the General regains consciousness, she demands Ten bring her to the closest Accord base. But treachery soon has the duo on the run from military hit squads, bandits and worse, as Ten’s purpose narrows to this one thing: getting the General to safety no matter what the cost.

Ten Low has been compared to Dune, but I think a much more accurate comparison is to Mad Max, with a strong dash of Firefly. Ten fights the voices in her head, desperately determined to do the right thing in a post-war setting reminiscent of George Miller’s desert Australia as his series progresses. The insertion of a cool quantum physical aspect to the spirits that haunt Factus adds an even headier scientific aspect to what’s essentially a road trip Western undertaken by two people who don’t much like one another. The General isn’t afraid to use her seeming childlike innocence to her advantage, and Ten’s dislike of the high-handed military commander is tempered by her meditations on what it means and what it must have cost to be molded into that form. The conversations between the two on military service are one of the highlights of this book: both went into it with the highest of ideals but now have vastly differing viewpoints.

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Jun 11 2021

Vulnerable AF by Tarriona Ball

So you know how operas are transcendent experiences, with the music and the singing and the acting (well, sometimes the acting) coming together to create a wondrous whole that you can’t stop thinking about or humming for days? But then you get it into your head to look up the lyrics you’ve been singing and you’re like “oh no, what is this?” Because the big aria is basically the singer repeating “I am dying! I am dying!” while the hero goes “You are dying! Oh no, you are dying!” and it all suddenly seems so banal in comparison with all the majesty and romance of the production, such so that you’re resolved never to read a libretto again? Well, it can be like that with slam poetry too.

Tarriona Ball is a brilliant performer, whether on her own or with her band Tank And The Bangas. Slam poetry, her forte, is as much about repetition and elocution and performance as opera is, gaining much needed emotional nuance from the choices of the performer as from the words themselves. You can compare the basis for the excellent song Boxes And Squares (the first track in the video I linked to above) with the poem For the Body, for the Heart included in this collection. The poem provides the (ironically prosaic) bones that the brilliant track hangs from, like a hanger that shows off a gorgeous dress. Doesn’t matter whether the hanger is padded or velvet tho, it’s still just a hanger, and nothing compared to what it supports.

And that’s the trouble with this collection, at least in it’s written version: it’s just scaffolding. It’s there. It’s fine. The poems Be Bee and Adam show potential for being silently readable, and the pieces of short prose are engaging, but everything else reads as if it needs more, whether expansion into longer essays or Ms Ball’s inimitable voice to give the words life. Please don’t tell me that all poetry needs to be read aloud to be properly appreciated: I can love words on the page without hearing them said in my ear. But I do think that, if given the chance, you should experience this collection in audiobook form. Ms Ball narrates that, which I’m sure does far more for this poetry than my simple interpretation — guided entirely by what’s on the page, because I am here to read and receive, not to inject my own overtones or fillips — could possibly do.

One advantage the printed book has over the audiobook tho is Shonte Young Williams’ lovely artwork, drawn and colored in neo-pop fashion to perfectly illustrate the contents of this slim volume. Tho for all I know, the art comes in the audiobook jacket as well: I have very little experience with audiobooks and even less interest in expanding same. What I do know is that this book is more of a showcase for Ms Young Williams’ works than for Ms Ball’s words, which is a shame, as both are emerging Black artists who deserve widespread recognition for their talent. As with most singers and performers, tho, I’d much rather watch Ms Ball perform than read her lyrics or poems. This book is great for fans, but I’d strongly recommend becoming one by watching her performances first.

Vulnerable AF by Tarriona Ball was published June 8 2021 by Andrews McMeel Publishing and is available from all good booksellers, including

Permanent link to this article: https://www.thefrumiousconsortium.net/2021/06/11/vulnerable-af-by-tarriona-ball/

Jun 09 2021

Trouble Girls by Julia Lynn Rubin

What if Thelma and Louise were scared teenagers in love with one another? That’s the intriguing premise of this book as best friends Trixie and Lux set out for a quick getaway from their stifling lives in Blue Bottle, West Virginia, only to find themselves on the run after Trixie stabs a guy who tries to rape Lux in a roadside bar.

So here’s the deal, Trixie and Lux are both sympathetic, complicated characters, but they’re also both extremely average teenagers: kinda dumb, and mostly impulsive and self-centered. I suppose there’s an audience who’ll enjoy a narrative where the heroines make increasingly poor choices as they drive west across America to the ocean (conveniently ignoring the fact that a) the Atlantic is closer, and b) the Gulf of Mexico isn’t bad if you’re just looking for a saltwater beach) but I personally found the going as grim as it was depicted, which does not make for the most fun read! The only bright spark in the proceedings plot-wise was Trixie and Lux’s slow-growing best friends to lovers romance which was honestly lovely (oh, and the meeting with the triplets was quite nice too!)

Julia Lynn Rubin does throw in some great feminist commentary with the subplot of the stabbing victim and his connections back in Blue Bottle, as well as the public outcry both in favor of and against his mysterious assailants. I hope, however, that the finished version is a little more clear about the Feminazi bit at the 61% mark being in quotations, as that was quite jarring to read in the ARC format, which made it sound like Trixie was slagging off feminist protesters when she wasn’t. I was also mostly pleased that this novel does not Bury Its Gays, but I did feel that the ending only added to the liminal quality of the entire book. Liminal is fine when the space is used to examine emotions free of the pressures of momentum and time, but the effect here was more one of being trapped in stasis as the girls struggled and failed to process what they’d done. And that’s fine! That’s realistic! They’re teenagers and teenagers can be dumb as hell. But it’s also not interesting, at least not to me. For all the adventures that the girls go through, it all felt very emotionally monotonal, with desperation being the overarching theme.

Maybe I’m just not the target audience for this book. Trouble Girls wasn’t as much of a downer as I’d feared, but I really do think parts of it could have been lopped off in favor of telling us what happens next. Give me aftermath! Oh gosh, it’s as if Vladimir Nabokov had decided to have Lolita end when the road trip did, that’s what this feels like here (and is likely the only time or context in which anyone will ever compare this book to that classic.)

Trouble Girls by Julia Lynn Rubin was published June 1 2021 by Wednesday Books and is available from all good booksellers, including

Permanent link to this article: https://www.thefrumiousconsortium.net/2021/06/09/trouble-girls-by-julia-lynn-rubin/

Jun 07 2021

The Portrait Of A Mirror by A. Natasha Joukovsky

As someone who cherishes the idea of eventually writing fiction professionally one day, it is 100% infuriating to read books like this, books so elegant, so intelligent, so perfect and modern that it makes any effort I could possibly make feel superfluous. Having a healthy ego, I will get over my sheer envy in days, but the impact otherwise of The Portrait Of A Mirror will last for far, far longer.

TPoaM revolves around four people: Diana Whalen who is married to Wes Range who went to school with Vivien Floris who is engaged to Dale McBride who works with Diana. Gorgeous, intelligent and privileged, if not outright wealthy, the paths of all four cross and re-cross as they fall in and out of love in variations on the myth of Narcissus, with the narrative and themes looping and unfolding in exquisite plays on recursion and pop culture and love. Told in vivid, droll prose reminiscent of (yeah, I’m gonna say it) Jane Austen, interspersed with text message exchanges, corporate memos and other modern communiques, this comedy of manners absolutely slaughters its contemporaries as it dives into the psyches of all four of its main characters, examining their flaws and culpability with an unerring eye that had me shifting uncomfortably in my own seat as I felt seen and judged and, ultimately, forgiven.

And here’s the thing, there are going to be plenty of people who read this book and don’t get it or don’t like it, because it’s a novel about complicated white people who don’t have to worry about much more than their own feelings, but the way A Natasha Joukovsky writes about these people not only plunges us deep into their beings but also calls to the complicated feelings we all have about love and self-love and long-term love and long-lost love. She does this while eschewing cliche in favor of an unvarnished truth, which could make for dire reading, yet leavens it all with a clear-eyed empathy for and kindness to both her characters and readers alike.

But it’s not all just feelings: TPoaM is a novel as astonishingly clever and devastatingly charming as its protagonists, leaping nimbly from deep dives into art history and computer science and classic literature to tell silly jokes at its own expense and make sly references to its plentiful influences and antecedents. It is a deeply intelligent book that is fully connected to life in the 21st century, tho it is cannily set in 2015, a time when America was lulled into believing that grownups ran our politics and that we kept getting better as a people, so could absorb ourselves wholly in our selves. In pursuit of an escape into life pre-45, please do browse the book’s Insta page @IMetOvidsHeirs and listen to the excellent Spotify playlist to immerse yourself even more fully in the world of this wonderful debut.

Anyway, I’m still wildly jealous of her for writing this magnificent novel but also want to be her friend? We all have books that elicit those feelings, I imagine.

The Portrait Of A Mirror by A Natasha Joukovsky was published June 1 2021 by The Overlook Press and is available from all good booksellers, including

Permanent link to this article: https://www.thefrumiousconsortium.net/2021/06/07/the-portrait-of-a-mirror-by-a-natasha-joukovsky/

Jun 06 2021

Network Effect by Martha Wells

Since the last time I looked in on Murderbot, it has become more secure in its freedom and found something like a home among the people of the Preservation Alliance. Preservation, as it is known throughout Network Effect, is something of a post-scarcity utopia, an interstellar polity posed as a counterpoint to Murderbot’s area of origin, the Corporation Rim. The good people of Preservation call it SecUnit, short for Security Unit, a less ominous moniker than Murderbot, indicating a more peaceful present.

Network Effect by Martha Wells

Not that a reader would see that peace at the beginning of Network Effect. Wells starts out with an incipient hostage situation that shows off SecUnit’s abilities and droll affect, along with the haplessness and helplessness of mere humans, two aspects that amount to much the same thing from SecUnit’s point of view.

“I’ve also had clients who thought they didn’t need any security at all, right up until something ate them. (That’s mostly a metaphor. My uneaten client stat is high.)” (p. 9) “Mostly” and “high” rather than “perfect” are classic SecUnit modifiers, the kind that give the series much of its mordant humor.

A couple of pages later:

‘You didn’t have to shoot anyone.’ Heat crept into Thiago’s voice. ‘If you needed supplies, we [a Preservation research vessel] would have given them to you’
Don’t worry, the ‘anyone’ who got shot was me.
(Thiago, while violating the security protocol everyone agreed to IN ADVANCE, had walked out to the observation deck to greet the strangers on their stupid boat. I followed and pulled him back from the edge, and so Potential Target Leader shot me instead of him. Got me right in the shoulder. I managed to fall off the observation deck and miss the water intake. Yes, I was pissed off.) (p. 11)

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Jun 04 2021

The Kingdoms by Natasha Pulley

The elevator pitch is essentially Diana Gabaldon’s Outlander meets Diana Wynne Jones’ The Time Of The Ghost, with naval battles galore (any Dianas who write about those? I’d be awfully pleased to know it.) Ofc, The Kingdoms isn’t quite so rapey as Outlander (thank God) nor as suspenseful as TToTG but is a thoughtful look at time travel and lost identity and fighting for a future you can live with.

Joe Tournier steps off a train in turn of the 20th-century London and has no idea who he is or where he’s from. A kindly stranger brings him to a physician, who diagnoses Joe as suffering from an uncommon epileptic affliction which causes sufferers to have such intense and prolonged bouts of deja vu that they’re convinced something is amiss with reality. After several days in the Salpetriere asylum, he is claimed by his grateful French owner, who is eager to bring the slave he raised from a young age back home, there to be reunited with Alice, Joe’s resentful Jamaican bride. Alice had intended to wed Joe’s brother Toby, who died before the formalities could be completed. But since the marriage license was already paid for, and since an unwed Alice would have been stuck in limbo as a slave between households, she married Joe instead, to neither’s liking. Joe has memories of someone named Madeline, and is certain he needs to find a way back to her, but how? A mysterious postcard signed M and stamped almost a century earlier asks him to come home if he remembers, and shows a picture of the Eilean Mor lighthouse far in the inaccessible north.

Years pass and Joe thinks he’s acclimatized to this strange world without Madeline. He’s earned his freedom and become an engineer. He and Alice even have a daughter named Lily, who means the entire world to him. But when given the opportunity to visit the Eilean Mor lighthouse after its keepers disappear and the light fails, he cannot resist the chance to investigate, even if it means running a gauntlet of hostile rebels still loyal to English ideals. The repair job itself is easy but the lighthouse feels like it’s outside of time, almost haunted. And that’s even before Joe rescues a mysterious man from the sea, launching them both into a desperate fight for the future. The question is, which future?

I really liked how Natasha Pulley drew from British legend and history to construct her tale of changing timelines. The amount of care and research is obvious in the depiction of a Napoleonic England where Admiral Nelson lost at Trafalgar, both in the immediate aftermath of the defeat as well as a century later. I greatly appreciated the diversity on display (even if a small part of me wonders whether Jem was actually gentry or just really good at pretending) and loved all the sailing. But overall, I felt that there was a strange unevenness in tone when dealing with characters, particularly Kite and Agatha. It’s hard to root for people who make themselves disagreeable on purpose, and while I get that Kite in particular always felt left out in the cold, self-pity does not sympathy elicit. I’m also still confused as to whether Fred was actually murdered, because if he was, it makes No Damn Sense why. The tonal unevenness extends as well to the mystery of who Joe really is: it was intriguing in the beginning, but by the time he confronted Herault, I didn’t really care because it honestly did not feel like it mattered to the story at all.

So this was a weird one for me because it had so many elements that I love, but I did not overall love this book. I think that better shaping and pacing would have helped a lot with the tone issues, as TK seems to abandon interest in being a mystery in favor of being a romance about three quarters of the way through. Porque no los dos, Ms Pulley? It’s definitely an interesting premise tho, and the historical/speculative/naval stuff is aces.

The Kingdoms by Natasha Pulley was published May 25 2021 by Bloomsbury and is available from all good booksellers, including

Permanent link to this article: https://www.thefrumiousconsortium.net/2021/06/04/the-kingdoms-by-natasha-pulley/

Jun 03 2021

The Loud House Summer Special by The Loud House Creative Team

Gosh, there are about as many creative contributors — writers, artists and letterers — as there are characters in this slender tho thoroughly amusing collection of vignettes revolving around the thirteen human members of the Loud family and their many friends and intimates. I feel a little bad not being able to list all the contributors, but since they go by the collective name The Loud House Creative Team on various shop/marketing pages, I’m not beating myself up too much over it.

It’s actually pretty impressive that such a large team can keep the tonal quality of this book so even (credit to the editor, Jeff Whitman!) tho it helps that the vignettes hopscotch between the diverse family units from one chapter to the next. If anything, the book’s structure is reminiscent of the Archie comics I read as a kid, that I rarely looked at the credits for. It also helps that this book ties into the Emmy-winning Nickelodeon cartoon, and displays all the hallmarks of your standard Nickelodeon show: bright colors, slapstick humor and a refreshing willingness to embrace diversity. The vignette with the picnic food was one of my favorites, in large part due to the delicious diversity of the food on display.

Our main character is Lincoln Loud, who lives with his five older sisters and five younger sisters, along with two parents and an assortment of family pets. An introduction helpfully describes each of these characters, as well as the Santiago-Casagrande families, the Chang family and Par, the produce delivery guy for the Mercado run by the Casagrandes. I was a little worried that I’d have to remember each of these twenty-nine characters in order to enjoy the book, so was pleasantly surprised that that was not the case, as the humorous vignettes definitely give enough context for who’s who and demand only a passing familiarity otherwise in order to get the jokes they’re telling. Perhaps my favorite of the tales was the saga of the grape popsicle, which everyone knows is the best of all the flavors. Apart from being highly relatable, it also showed off most of the Loud family members as the kids competed for the single grape popsicle that comes in the jumbo-sized box.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2021/06/03/the-loud-house-summer-special-by-the-loud-house-creative-team/