Who hasn’t wondered whether all those twists on the path through Ikea might not lead somewhere else entirely? In Nino Cipri’s Finna, the Ikea stand-in LitenVärld (it means “little world” in Swedish) has a recurring problem with wormholes opening within its stores and leading to LitenVärld analogues in parallel universes. Not that management tells anyone, of course. In fact, there used to be in-store experts for dealing with the wormhole problem but budget cuts and restructurings made that expertise a thing of the past.
Finna opens with Ava trudging in to work at LitenVärld one miserable Tuesday in February. She’d rearranged her schedule to avoid encountering her co-worker ex, Jules, but finds herself coming in to substitute for a different co-worker on a day when Jules also works. That sets up what was, for me, the less interesting thread of Finna: young people having to deal with an ex like another human being. The better part of the story gets going when a “young woman with olive skin and thick, black-brown hair approached the [customer service] desk” where Ava is working and says says, “I’m sorry to bother you, but I think I lost my grandmother.”
She continues, “‘She was right behind me in the showrooms? I turned around to get her opinion, and she was gone. I’ve been looking for her for ten minutes and …’ She trailed off, shrugging helplessly.” It’s the kind of thing that happens all the time, but in this case time drags on, no grandmother. PA announcement, no grandmother. And on a February weekday, there aren’t exactly crowds for her to have gotten lost among. The shift manager eventually sends Ava out to look for the lost grandmother, whereupon she bumps into Jules who explains the horrors that led them to volunteering to search.