Chloe #6: Green Thumb by Greg Tessier & Amandine

Combining two volumes of the original series, translated from the French, this volume follows middle-schooler Chloe Blin as she navigates two very of-the-moment issues: environmental friendliness and cyber-bullying.

The first half of this book sees Chloe and her friend Mark roped into helping start an eco-friendly vegetable garden at school by their far more enthusiastic best friend Fatouma. While Fatouma is totally gung ho about everything to do with setting up the garden, Chloe is more half-hearted, especially when she realizes exactly how much work it entails. It doesn’t help that her nemesis Anissa has also been recruited for the project, and seems alternately more intent on making catty comments about everyone else or positioning herself the star of the show. But as Chloe slowly gets more into gardening, she also gets super bossy in the way only self-righteous middle schoolers can be. When an attempt to shame Anissa backfires, her school principal cancels the project and declares the garden off-limits. Can Chloe and her friends figure out a way to get him to change his mind?

The second story involves Chloe turning cyber-detective to figure out who’s harassing her classmate Miriam. When a video of Miriam slipping down the steps goes viral, she quickly becomes the target of mean jokes in real life and awful comments on social media. Kind-hearted Chloe leaps to Miriam’s defense but soon finds herself in the crosshairs of the main troll, who goes by the name LOL. Efforts to solve the issue on her own cause her to become secretive and start doing poorly in school. Will Chloe be able to overcome her own paranoia in order to unite a group of unlikely allies for the purpose of taking down this vicious internet bully?

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Across the Green Grass Fields by Seanan McGuire

Across the Green Grass Fields is the first of Seanan McGuire‘s Wayward Children series that I have read that’s entirely waywardness, and I liked it that way. There’s no mention of Eleanor West’s Home, nor do any of the characters from the previous five novellas in the series appear. I didn’t miss them at all, which I suppose means that I like my fantasy perfectly fine without a portal to tie it to this world.

McGuire’s main character, Regan Lewis, does need a portal. At seven, she sets great store in being normal, and she is a perfectly normal, happy child who likes reading, spinning until she gets dizzy, loves her parents and doesn’t even mind much that she doesn’t have any siblings. “But most of all, more than anything else in the world, more than even her parents (although thoughts like that made her feel so guilty the soles of her feet itched), Regan loved horses.” (p. 10) Fortunately, an unreasonable love of horses is an approved quirk because “strange was something to be feared and avoided above all else in the vicious political landscape of the playground, where the slightest sign of aberration or strangeness was enough to bring about instant ostracization.” (pp. 10–11)

Across the Green Grass Fields by Seanan McGuire

That terrible fate is visited on one of Regan’s two best friends by the third in their charmed circle. One day Heather brings a small snake to school, and Laurel had been horrified. “‘What is that‘ Laurel had demanded, in the high, judgmental tone she normally reserved for bad smells and noisy boys.” (pp. 11–12) Heather’s joy at sharing something interesting with her friends turns into confrontation and an irreparable break as Laurel insists that girls don’t play with things like snakes. She pulls Regan away, and Regan doesn’t react quickly or strongly enough to mend the rip in the girls’ social fabric. In the months that follow, Regan sticks with Laurel. Even when Heather and her mother come to Regan’s house — and Regan’s own mother reminds her how cool she found holding a python at the fair — Regan chooses Laurel.

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The Past Is Red by Catherynne M. Valente

This is one of those books that I can appreciate, even if I don’t like it. And there’s a lot to like here, so maybe it’s just a me thing. I just… I feel like Cat Valente has a lot to process in terms of abuse and marriage, and that her issues spill out way too messily on the page for me to pretend that her writing isn’t a far too personal peek into a private life that requires a lot more therapy. I totally understand using fiction as a coping mechanism, but I feel more trauma-dumped than entertained every subsequent time she writes about a victimized woman or a fucked-up marriage, both of which feature in this novella.

I originally read the first part of this book, The Future Is Blue, in the excellent John Joseph Adams anthology Wastelands 3. TFiB is a striking short story: a young woman growing up on a floating trash barge in a post-apocalyptic Earth does something so terrible that she’s subject to unthinkable punishment. The Past Is Red moves some years into the future to see what’s become of that young woman, whether her actions were validated and how she survives.

So, first, what I thought was good: the use of Garbagetown as a metaphor for Earth, and the gentle admonishment against leaving it for pie in the sky promises. The critique of consumerism is also pointed and valid, and leads to much of the book’s humor, just in wry observation of how very unnecessary and over-the-top much of corporate branding and marketing is. And I very much liked the idea of our heroine Tetley as a futuristic Candide, tho she’s arguably more Panglossian given that she never rejects optimism, no matter how terrible her circumstances.

The mediocre to bad: the critique of survival mechanisms, and an inability to differentiate between rationing and hoarding, particularly for the purposes of political power. It felt like a clumsy critique of private health care, a deserving subject which was conflated here with the very existence of pharmacies, which exist for a very good reason! I was also a little annoyed at the mini-rants against private ownership when Tetley’s few belongings were both clearly valuable to her and things she was unwilling to cede to others.

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The Ultimate RPG Character Backstory Guide: Expanded Genres Edition by James D’Amato

with the subsubtitle “Prompts and Activities to Create Compelling Characters for Horror, Sci-Fi, X-Punk, and More”

As an RPG nerd from way back, I was both deeply appreciative and somewhat perplexed by this book. I’ve never really had trouble dreaming up backstories for my characters, but can see how people with less active imaginations would find the many exercises and minigames in this guide to be super useful for filling out why their characters are the way they are when game begins. There’s even a helpful section in the book as to what to do in the event of a mid-game time jump, with players sitting around a table and drawing playing cards for prompts from the book (tho I’m unclear as to what James D’Amato means by making a visible break in the circle of cards. I assume that the cards are divided into stacks of four or are otherwise layered in some fashion?)

There were a few other sections where I was a little confused as to what was required of the reader. The strong and weak prompts for Standing Out In A Crowd in the Western section, for example, weren’t as clearly marked as they might have been. But overall this was a very thoughtfully designed handbook covering a variety of genres that, as the author notes, can be mixed and matched to accommodate the particular nuances of a game’s setting, using superhero prompts in a fantasy setting, for example, if you’re running a swords and sorcery story that involves secret identities. The language used throughout was also excellent, particularly in making this book feel welcoming for all players and reminding readers to avoid harmful tropes in our designs.

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Once & Future, Vol. 3: The Parliament of Magpies by Kieron Gillen, Dan Mora & Tamra Bonvillain

Oooh, Bridgette with a sword on the cover, y’all!

Inside however, as in prior installments, good old Gran is more comfortable with a gun, using it to good, if horrifying, effect when the titular parliament of magpies comes calling, bearing ominous news. She immediately calls her grandson, the reluctantly heroic Duncan, who says he’ll call Rose who, since she’s standing right next to him, calls him out on the little pause he always makes before lying. Rose and Duncan, after their failed first date and subsequent misadventures, have gotten closer, you see. But are they actually dating? This conundrum leads to a conversation that made my semantic-loving heart near overflow with pleasure. /nerd

Rose’s initial divination finds nothing awry, so with Duncan’s car totaled, she drives him up to visit Gran the next day on New Year’s Eve. They decide to follow a lead to the Lancelot Arms, in hopes of uncovering what the treacherous Mary had been up to prior to summoning King Arthur. Their interview with the inhabitants is violently interrupted (I shrieked with horrified glee when I realized by whom,) forcing Rose to get even closer to the Story when she realizes that she’s unwilling to let Duncan imperil himself further by taking on more than two roles out of legend. Bridgette has to admire her logic, even as she worries as to what she’s getting another innocent into. The fewer who know about all this mystic stuff, the better, after all.

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Hugo Awards 2022: Best Novelette Nominee

I’m a big fan of ordering my group reviews for the Hugos alphabetically, but what to do when my favorite is the very first of them? I haven’t had a chance to read much Suzanne Palmer, but I adored Bots Of The Lost Ark, which managed to pack a whole bunch of interesting and delightful surprises into its 20+ pages. Essentially, a sentient Ship is attempting to limp home to Earth after a succession of battles left it both damaged and wildly off-course. With another potentially deadly encounter on its horizon, Ship is forced to wake the troublesome Bot 9 in order to help it overcome the conflicts plaguing it internally before even being able to prepare for examination at the hands of the AI-distrustful Ysmi. The story is fun, inventive and funny. I loved it.

Bots of the Lost Ark by Suzanne Palmer, magazine coverSecond alphabetically is Caroline M Yoachim’s Colors Of The Immortal Palette, which I loved much less. I appreciate the fact that this novelette tries to grapple with what it means to belong and to matter when you’re not in the mainstream of society, but didn’t feel that it said anything particularly new or interesting, or that the supernatural conceit of longevity added anything to the story. It was fine, but probably at the bottom of my list of nominees this year.

Next up is Catherynne M Valente’s L’Esprit D’Escalier, which I was pleasantly surprised to find did not end by punishing the heroine, as I was fearing was becoming a habit with this author. This update of the story of Orpheus and Eurydice was beautifully written and wonderfully observed, tho a large part of me would rather have had the story told from primarily Eurydice’s perspective.

Fourth on the list and in my esteem is Oghenechovwe Donald Ekpeki’s O2 Arena. The dystopian setting of underground fighters battling to the death to earn a fortune in oxygen credits in a world seared by pollution isn’t the freshest, and the ending of the piece a little too abrupt, but the depiction of bullshit patriarchal systems dominating in even supposedly enlightened academia hit home to me as someone who went through a similar system. I’m just… well, I always assumed that the trade-off for putting up with crap like that was at least a strong social net and a functioning system of medical welfare, particularly for the ill and disadvantaged, but apparently that’s not as common in Nigeria as in Malaysia, and that sucks. I greatly admired the passion behind this story, even if I think the craft still needs work.

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Elder Race by Adrian Tchaikovsky

Elder Race offers an extended meditation on Clarke’s Third Law, some thoughts on cultural contamination that are not new but are important to Adrian Tchaikovsky’s characters, all wrapped up in a fast-paced adventure of swords and sufficiently advanced technology. The novella is set on Sophos 4, a planet colonized by humans during the first interstellar flowering of Earth’s civilization, when generation ships were sent out into the cosmos. That effort proved unsustainable on humanity’s home planet and starfaring stopped, leaving the colonies to fend for themselves. Much later, a second wave of exploration began with the mastery of faster-than-light travel.

Elder Race by Adrian Tchaikovsky

Nyr, the first-person narrator of half of Elder Race was part of that second wave. As he puts it, “My name is Nyr Illim Tevitch, anthropologist second class of Earth’s Explorer Corps. I am centuries old and light years from home.” (p. 25) He was part of an expedition to Sophos 4 that observed the colonists’ descendants and sought to understand their cultures and developments without letting them know that they were being observed. The inhabitants of Sophos 4 had lost all of their advanced technology, retaining only myths of an origin from across the seas of night. Some of the colonists had been modified to breathe water as well as air, and these traits had become inheritable. Nyr’s expedition aimed to understand these changes, too, and what had happened in the generations since the first arrivals. At some point in the study, Nyr’s fellow scientists were recalled to Earth, and he was left to mind the store for what they thought would be a brief hiatus. Something happened, though, and they have not returned although centuries have passed. Even communications have stopped coming. Nyr is stranded, alone with the machines that were designed to study the planet, and which support him through many decades of stasis.

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Fireheart Tiger by Aliette de Bodard

Forbidden love between two princesses. Forbidden not because they are both women, but because they are princesses, and relations between their two states are tense and unequal. Thanh is a princess of Bình Hải, in the south, nominally superior to its northern neighbor but falling back in relative power because of the neighbor’s greater access to silver and guns. Eldris is a princess of Ephteria, the north country where Thanh had been sent by her mother the Empress to serve as a child hostage, and also to learn the ways of the barbarian neighbor, the better to contend with them when she was older and playing a role in statecraft.

Fireheart Tiger by Aliette de Bodard

They fell in love as teenagers while Thanh was in the foreign capital of Yosolis. Eldris had seemed aloof until the night a fire ravaged the royal palace. Nobody thought to look after Thanh, but she made it out on her own and even rescued a Bình Hải serving girl named Giang. That commanded the court’s attention, and Eldris’ more personal interest followed soon after. The affair ended, as it must, when Thanh returned home some years later. As Fireheart Tiger opens, Eldris has come to Bình Hải as part of a trade delegation, one that is pushing for greater privileges for Ephterian merchants and other concessions that will hem in Bình Hải’s independence.

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Once & Future, Vol. 2: Old English by Kieron Gillen, Dan Mora, Tamra Bonvillain & Ed Dukeshire

Old English indeed!

I decided I needed to pick this up to quickly read before getting into the Hugo-nominated Volume 3 of the series and oh, gosh, I’m glad I did! Besides using up some soon-to-be-expiring Kindle credits, this really filled in an important part that I knew I would have wondered about if I’d gone into Vol 3 without having read this first.

That said, how much to tell that isn’t spoiler? To recap the first volume, Duncan finds out that his feisty granny Bridgette is a monster hunter from way back, and that he’s more or less expected to go into the family business. Volume 1 not only set up that premise but also shocked and astonished with the remarkable amount of family drama it managed to pack into its pages, ending finally with Duncan wanting to call it quits with Gran but having enough of a sense of self-preservation and duty both to take up the mantle now that King Arthur has been resurrected. Arthur, you see, wants a land free of Anglo-Saxon invaders, which is played to hilarious effect — well, my idea of hilarious anyway — when certain Little Britainers find out that Arthur is not about their white power life.

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Hugo Awards 2022: Best Novelette

Myth, starfaring bots, near-future Nigeria, fell fae, artistic immortals and the magic of the mind all feature in the 2022 Hugo finalists in the category of Best Novelette.

Bots of the Lost Ark” by Suzanne Palmer sets its story on a large interstellar ship that just barely survived an encounter with hostile aliens and is trying to limp back to Earth while its human crew is in stasis. Unfortunately, certain things are not behaving as expected. Many of the small bots that take care of maintenance tasks have formed themselves into agglomerations that believe themselves to be the human crew. Nevermind that several agglomerations each claim to be the same crewmember. One “glom” believes itself the rightful commander, and is battling the ship’s own conscious systems for control of everything remaining. Moreover, different parts of the ship are damaged and offline, and some of those may harbor other things that are behaving unexpectedly. To top everything off, the ship’s sole course back to Earth takes it through the space of a lifeform that is implacably hostile to inorganic life. They have placed an ultimatum: submit to boarding and prove that organic life is in complete control, or be destroyed. Into this race against time comes Bot 9, original source of some of the shipboard anomalies, brought out of stasis in hopes that it can rectify the situation. Situations. I enjoyed this space adventure among non-human intelligences, even as I thought I had seen its elements used at least as well elsewhere: the servitor bots in Yoon Ha Lee‘s Machineries of Empire stories, conscious but uncertain ship intelligence by Ann Leckie, slightly lost self-aware machines by Becky Chambers, and chatty bot by Martha Wells.

Bots of the Lost Ark by Suzanne Palmer, magazine cover

John Wiswell mixes horror and recovery from abuse in “That Story Isn’t the Story.” Wiswell’s tale opens with Anton packing his stuff into a single black trash bag and escaping from the psychological clutches of Mr. Bird, who has kept him and several others in a New York townhouse. Grigorii, Anton’s friend from their school days, drives the getaway car. It’s a classic cult-like abuse situation, and the rest of the story shows Anton trying to build a semblance of a normal life while fighting his own self-doubting, self-destructive urges that tell him to return. Grigorii stick with him — Anton’s family saved him from an abusive situation when he was much younger — and gives him a mantra, the story’s title, that serves as protection against the efforts of other cultists to bully him into returning. Mr. Bird’s effects on the members are suitably creepy, and Anton’s struggle is sufficiently uncertain to make this a deeply felt tale.

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