Ethan of Athos by Lois McMaster Bujold

For reasons not detailed within the novel, the planet Athos is settled exclusively by men. It’s a backwater, isolated by choice and religious conviction. Converts are few, visitors prohibited, and travel off-planet essentially nil. The rest of spacefaring humanity seems to regard them as quaint but harmless oddballs.

Ethan of Athos by Lois McMaster Bujold

The men of Athos have mastered the technology of artificial wombs, and of course they have sufficient genetic technology to only create male embryos, but they are still dependent on cultures of ovarian cells. In the two hundred or so years since Athos was settled, these cultures have started to degrade. Scientists on Athos determined that the rate of decay is increasing and will reach a crisis in the near future. As the novel opens, they have bought replacement lines from one of interstellar society’s centers of genetic expertise. Unfortunately, something has gone wrong along the way, and the delivery that reaches Athos is cellular junk.

Athos has no choice but to send an emissary into the outside worlds. They choose Dr. Ethan Urquhart, chief of biology at one of the planet’s reproductive centers. He’s smart, and resourceful by local standards, but isolation from half of humanity has left him almost comically unprepared for a mission that will turn out to be much more than some commercial acquisition. Athosian society comes across as Calvin’s “Girls Are Icky” Club writ large, and its supposedly wise councils like a bunch of bickering old maids.

[Ethan] found himself looking suddenly, on screen, at two of the strangest faces he had ever seen.
Beardless, like men without sons, or boys, but devoid of a boy’s bloom of youth. Pale soft faces, thin-boned, yet lined and time-scored; the engineer’s hair was nearly white. The other was thick-bodied, lumpy in a pale blue lab smock.
Ethan trembled, waiting for the insanity to strike him from their level, medusan gazes. Nothing happened. After a moment, he unclutched the desk edge. Perhaps the madness that possessed galactic men, slaves to these creatures, was something only transmitted in the flesh. Some incalculable telepathic aura? Bravely, he raised his eyes again to the figures in the screen.
So. That was a woman—two women in fact. He sought his own reaction; to his immense relief, he seemed to be profoundly unaffected. Indifference, even mild revulsion. The Sink of Sin did not appear to be draining his soul to perdition on sight, always presuming he had a soul. (p. 14)

Bujold is having one on about male supremacists, a laugh at the religiously driven misogyny that tends toward the cruel and the vile rather than toward the harmlessly dotty. Anyway, Ethan of Athos is a novel of intrigue, action and adventure rather than of theology and sociology, so Bujold does not dwell on these points. Instead, she sends Ethan off to Kline Station, a sprawling artificial habitat at a nexus of interstellar travel routes. Then, through bumbling on Ethan’s part she places him in the capable hands of Elli Quinn, an officer in the Dendarii Mercenary Fleet, a native of Kline Station, and the link to the larger Vorkosigan Saga.

At first, Quinn is willing to help him to uphold Kline’s reputation for aiding travelers, but they soon discover links between Ethan’s mission and her own undercover reasons for visiting Kline. Sending genetic junk to Athos wasn’t just a mistake or greedy maliciousness, but a deliberate act of sabotage. Ethan and Quinn have to race to find out which of several possible suspect factions cares so much about Athos’ genetic material before those factions can eliminate the Athosian emissary with extreme prejudice.

The action and reversals come fast and furious, and the book’s good fun to read. Bujold brings it all home in fewer than 250 pages, a size nearly lost in contemporary science fiction but just right for an afternoon of reading. Keep the popcorn handy, sit back, watch the heroes overcome the odds and grow a bit in the process.

Permanent link to this article: https://www.thefrumiousconsortium.net/2022/03/10/ethan-of-athos-by-lois-mcmaster-bujold/

The Soul Stealer by Graham Masterton

Horror with a distinct 1970s/1980s vibe is definitely having a resurgence, as recent novels such as John Darnielle’s Devil House and Simon Jacobs’ String Follow have shown. And who better to ride this wave than one of the luminaries of the scene himself, Graham Masterton, whose prolific, prize-winning career began in 1976 with The Manitou, a tale of body horror featuring his take on the Native American spirit of legend.

Fast forward nearly fifty years, and Mr Masterton has returned to his beginnings with The Soul Stealer, based this time on Tongva/Chumash mythology and beliefs. Set in present-day Los Angeles, the plot revolves around Trinity Fox, a 23 year-old house cleaner whose old high school friend Margo Shapiro calls her, desperate to meet. Trin agrees, but when she arrives at the agreed upon bar, finds that someone has followed Margo into the ladies’ room and lit her on fire.

The bar owner immediately calls his old friend, disgraced former police detective Nemo Frisby, to come in on standby just in case the bar might be considered at liability. Thus both Nemo and Trin are stunned when, far too quickly, Margo’s case is closed as a suicide. Nemo and Trin join forces to shake some trees in an effort to discover what really happened to Margo, only to have Internal Affairs show up to tell them to back off. The only real clue the duo has left is the fact that Margo attended some Hollywood parties that, after dazzling her at first, wound up really shaking her to the core.

Meanwhile, young Zuzana is a waitress with dreams of stardom and the reality of an abusive live-in boyfriend. When a Hollywood hot shot offers to take her to a party where she’ll get to mingle with some of the movie industry’s most powerful people, she doesn’t hesitate, despite Rod’s violent objections. But is she in for a whole lot more than she bargained for when her glittering dream of Hollywood turns into a nightmare of perversity?

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/03/08/the-soul-stealer-by-graham-masterton/

Star & Stripe 1: Grand Opening! by M. J. Offen and Ruth Bennett

Star and Stripe are bovine siblings with a dream: to open a restaurant serving grassburgers just like their Mama’s. While the brother and sister are best friends, they constantly disagree over the direction they want their restaurant to take. Unsurprisingly, things tend to go wrong when they butt heads. When they hold hooves and move forward together, however, they find that they both thrive.

In the course of opening up their restaurant, the siblings learn a lot about negotiation and compromise, and how blind stubbornness can lead to both their downfalls. It’s a cute lesson for kids, peppered with delightful cow puns throughout, as Star the cow and Stripe the bull find the food truck of their dreams and squabble over how best to decorate it and market their product. More than just about compromising — because that, alas, has become a lesson where ppl these days feel you should compromise with the monstrous in order to keep the peace — this book teaches kids to truly listen to their friends and partners, in order to find the best solution for everyone instead of just defensively insisting their way is the only way.

The color illustrations are absolutely adorable, with loads of visual puns that enhance the story. Both M. J. Offen and Ruth Bennett have a background in animation and it shows in the vibrancy of this picture book, with cute, quirky characters and a terrific attention to detail that makes this book as much of a treat for kids as it is for the adults in their lives. My ten year-old and the one eight year-old I could pin down to read this with me both greatly enjoyed the liveliness of this story and its pictures.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/03/07/star-stripe-1-grand-opening-by-m-j-offen-and-ruth-bennett/

Stars And Bones by Gareth L Powell

Take a bit of The Expanse, add a dash of Battlestar Galactica and a soupcon of Becky Chambers’ Wayfarers series, and you have the latest thrilling space opera from multi-British Science Fiction Association Award-winning author Gareth L Powell!

Eryn is a Navigator, one of the few people who are capable of linking with the shipminds that help guide humanity through the stars. After the forced evacuation of Earth, humankind exists on a flotilla of life-sustaining arks, forbidden from returning to Earth or, indeed, touching down on planets with sentient life until they can prove their cosmic maturity (i.e. that they won’t try to commit global genocide once more) to the benevolent “Angels” that watch over them. In the seventy-five or so years since exodus, adaptations have been made to living in the stars… tho not everyone embraces these changes or even accepts them with anything but great reluctance.

Ofc, neither Eryn nor her sister Shay are part of the naysayers, both embracing space and the now. Born on the arks to parents who likely would never have connected had they stayed in their respective social stratifications on Earth, both women have wanted to be Navigators for as long as they can remember. But after a planet-side expedition goes horribly wrong, Eryn finds herself searching for answers as to what actually happened to her sister down on the surface of Candidate-623. When she realizes that what they’ve found might finish the job of humanity’s mass extermination, no matter the intercession of the Angels, Eryn must embark on a desperate mission not only to save what’s left of her family, but of a nomadic humanity forced to fight once more for its survival.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/03/03/stars-and-bones-by-gareth-l-powell/

Miguel’s Community Garden by JaNay Brown-Wood & Samara Hardy

This smart, sweet book had all my kids crowding around to learn and argue about plants, fruits and vegetables! It definitely brightened up our dreary winter day, and I’m hoping it’ll help nurture a seed of interest in gardening come the spring!

Miguel’s Community Garden tells the tale of our eponymous young hero, who heads to his community garden to find some sunflowers to decorate the Community Garden Party. He knows what makes up a sunflower, but will he be able to identify them for the party? Or will he be sidetracked by all the other plants that share the sunflower’s characteristics but aren’t quite what he needs?

Perfect for beginning+ readers, this picture book uses valuable repetition to help strengthen existing vocabulary while also introducing yummy, and perhaps exotic, fruits and vegetables into their lexicons. My youngest child definitely gained a lot of practice with words that are just the right amount of challenge for him here, repeating the ones he knows and is still mastering while also learning useful new words and, I’m hoping, broadening his interest in plant life and gardening. My older kids actually ran over for the mulberry page to argue about grapes and berries: we’ve since agreed to make a special trip to the one mulberry tree we know when it fruits in the summer to find out more.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/03/02/miguels-community-garden-by-janay-brown-wood-samara-hardy/

Eggs From Red Hen Farm: Farm To Table With Mazes And Maps by Monica Wellington

I am just wildly in love with Monica Wellington’s American folk art style throughout the pages of this wonderfully interactive children’s book. It can sometimes be a struggle to get my younger kids to sit with me for the duration of an entire tome, but my youngest especially was thoroughly engaged by the clever art and fun mazes and search puzzles of this delightful picture book.

The story revolves around Red Hen Farm, run by Ruby and Ned, on a typical day. They collect eggs, then go about selling and delivering them, whether it be at the farmer’s market or in town. We follow Ruby in the farm’s little red truck as she drops off Ned at the market, then goes to the businesses that need her wares, before heading back to collect Ned and end the day on a pleasant surprise back at the farm with their animal friends, with a sweet gift from one of their clients.

The text of this engaging book meshes perfectly with the illustrations, as readers map Ruby’s journey and look for the different locations and routes. I had loads of fun matching the text to the pictures with my kids, and that’s even without appreciating the artwork as an adult lover of aesthetics. The maps and layouts are just astonishingly beautiful, with a predominant palette of orange and green, which combination has no business being as visually appealing as it is. Ms Wellington is truly gifted in both art and design.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/03/01/eggs-from-red-hen-farm-farm-to-table-with-mazes-and-maps-by-monica-wellington/

Please Miss: A Heartbreaking Work of Staggering Penis by Grace E. Lavery

Well, that was certainly… something.

In all frankness, it felt very much like reading the screed of a 1980s British academic, who is quite erudite but also monomaniacal about a particular subject, in this case popular culture of primarily English extraction. Whether we’re reinterpreting Dickens through the (honestly valid) lens of pornography or skewering various obscure late 20th century BBC comedians, there is a lot to elicit the polite smile that betrays only the vaguest comprehension of what the writer is going on about. No wonder the book leads with chatter of Juggalos, the Little Shop Of Horrors and Mars Attacks before swerving hard into semi-famous Brits by way of Austin Powers: get the more recognizable bits out of the way first so that anyone who’s gotten this far is willing to just shrug and turn the pages for the sake of completion, no matter the perishingly narrow appeal of the subject matter near the end.

If I sound somewhat harsh, it’s likely because I still don’t understand the clown subplot, despite the chapter heading that promised to explain everything. Even more annoyingly, I was getting a distinctly Martin Amis vibe from the entire exercise, and if that’s your thing, then please, enjoy. It is not, alas, mine.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/28/please-miss-a-heartbreaking-work-of-staggering-penis-by-grace-e-lavery/

The Triumph of Achilles by Louise Glück

Only having read The Odyssey could be a bit of a hindrance in addressing a collection titled The Triumph of Achilles, especially when my notes show that that the title poem is one that struck me as I was reading through. Even without commanding the details of The Illiad, though, I liked the considerations Glück brought to tales of war and triumph and history. She makes the point about history belonging to those who write it, but she does not call the writer the victor:

…though the legends
cannot be trusted—
their source is the survivor
the one who has been abandoned.

Glück brings readers to the Trojan battlements and leaves them wondering what triumph means.

The Triumph of Achilles by Louise Glück

In “The Mountain” she rolls up to the myth of Sisyphus in two contemporary forms: an artist struggling with their work and as a teacher trying to communicate to students the essence of art. She might well consider the students’ point of view as well, condemned to turn up every day to hear about things that don’t interest them from people whose own interest seems distinctly limited.

…Why do I lie
to these children? They aren’t listening,
they aren’t deceived, their fingers
tapping at the wooden desks—

In one of her characteristic endings, she upends the myth, allowing for change in the situation of the artist, the teacher, maybe even the student.

…the artist lies
because he is obsessed with attainment,
that he perceives the summit
as that place where he will live forever,
a place about to be
transformed by his burden: with every breath
I am standing at the top of the mountain.
Both my hands are free. And the rock has added
height to the mountain.

Other poems in this collection that I liked included “Metamorphosis,” a very brief one about the death of her father, “Summer,” an excursion into seasons of marriage and confounding expectations, and “Reproach,” in which the poet gets what they wanted and is not very happy about it. On the whole, though, I connected with Glück in The Triumph of Achilles about as well as I did in the three previous collections, which is to say glancingly at best. I’m interested in her next two, Ararat and The Wild Iris, but probably not all too soon.

Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/25/the-triumph-of-achilles-by-louise-gluck/

The Casagrandes #2: Anything for Familia by The Loud House Creative Team

As much as I’ve enjoyed the chaotic fun of the Loud House comics, based on the hit show airing on Nickelodeon, I must say that I found this spin-off Casagrande volume much easier to consume, probably because the main cast wasn’t quite as ginormous as in the LH books!

Granted, several of these stories have also previously appeared in LH compilations, tho few of the Loud family themselves show up in these pages, barring the usual suspects, Lincoln and Lori, who have the closest ties to the Casagrandes. Lincoln is best friends with our heroine, Ronnie Anne Santiago, while Lori is dating her older brother Bobby. The first story actually kicks off with Bobby and Lori on a date while their younger siblings attempt to prank them, mostly successfully. The rest of the stories follow the extended Casagrande clan while they run their mercado, test out recipes and go to the skate park, among other fun, family-friendly adventures.

Probably my favorite entry in this book was “Tu Destino!” written by Kristen G Smith, with art by Ron Bradley and letters by Wilson Ramos Jr. I’m a sucker for anything to do with role-playing games and quasi-psychics so this short was both delightful and right up my alley.

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Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/24/the-casagrandes-2-anything-for-familia-by-the-loud-house-creative-team/

Selected Poems 1966–1987 by Seamus Heaney

The receipt tucked away in the pages of this collection tells me that I bought it in early 1997, in Washington, DC. At that time, I would only have read Heaney’s Nobel lecture. His Beowulf, the first poetic work of his that I read, was still two years from publication. There’s another receipt in the book, for a handlebar bike bag. That would have been part of my preparation for a two-week bicycle tour in northern Poland that I took in the summer of that year. Poland loomed large in Heaney’s intellectual landscape, thanks mainly to a friendship forged in California with Czeslaw Milosz. In 1995, he had published a version of the Laments of Polish Renaissance poet Jan Kochanowski, co-translated with Stanislaw Baranczak. In those days I could read almost enough of the Polish to measure it against the rendering in English.

Seamus Heaney Selected Poems

The bicycle bag went with me to Poland (I may have it still), but the Heaney collection did not. In fact, I did not crack it much at all until this year, when I had already read nearly all of the volumes that this selection draws from. The Selected Poems covers exactly the seven major collections that I have written about for Frumious, with two additions. As an introduction to Heaney’s poetry and an overview of the first half of his career, the Selected Poems is a good book. He draws more heavily on the collections that were more recent when this volume was published: there are seven poems each from Death of a Naturalist and Door into the Dark, with more than twice as many from The Haw Lantern and more than three times as many from Station Island, including the 20-page title poem. Looking through the table of contents and comparing it to my notes on the various collections, I did not see anything that Heaney omitted that I sorely missed.

The two exceptions are Stations a twenty-four page collection of prose poems that Heaney published in 1975, and Sweeney Astray, his crack at the medieval Irish work Buile Shuibhne, which he published in 1985. Stations was a formal experiment, the sort of thing poets do to stretch themselves and stretch their art, to see if there might not be more ways of doing the things they want to do than they had been previously accustomed to. Of the seven that Heaney selected for this volume, I most liked “Cloistered,” which draws a line between schooling and monasticism, playing on the many ways that people may be set aside from the world. “Trial Run” and “Visitant” catch ambiguities of Ulster’s situation in the world of the 1940s and 1950s. It was interesting to see Heaney try out this form, but on the whole I am glad that he did not pursue it.

The five bits from Sweeney Astray come from a different era entirely, and sing in a different register. He captures the madness and the sadness of the king transformed and cursed to wander until the prophecy of his death is fulfilled. Along the way, though, he also captures bright joy at the simple being of trees (in “Sweeney Praises the Trees”) or birds (in “Sweeney Astray”) that is less complicated than one of Heaney’s own poems, but just as beautiful.

I’ve preferred the luxury of reading Heaney’s full collections, but it’s nice to have this selection, and for someone who wanted to dip into his poetry without diving in completely, this is a good place to start.

Permanent link to this article: https://www.thefrumiousconsortium.net/2022/02/23/selected-poems-1966-1987-by-seamus-heaney/