In the first hundred pages of the book of her translation of The Odyssey, Emily Wilson introduces readers to this three thousand year old epic poem that is one of the foundations of Western literature. She opens doorways to the poem for readers not already well versed in Homer, but she also makes clear that what readers find through those doors will be a strange and different world, where people act differently because the things that matter to them are different from modern concerns. Wilson explores some of the long-lived questions surrounding the poem — Who was Homer? When was The Odyssey composed? — and some of the concepts that run through the poem that modern readers might want to know more about before sailing on Homer’s seas of verse: the Homeric world; gods; friends, strangers, guests; the roles of women; becoming a man; slaves; Odysseus’ choices; people in the poem who hate Odysseus; endings; how The Odyssey has been seen through the centuries. Before that, though, she bids readers welcome.
Modern connotations of the word “epic” are in some ways misleading when we turn to the Homeric poems, the texts that begin the Western epic tradition. The Greek word epos means simply “word” or “story” or “song.” It is related to a verb meaning “to say” or “to tell,” which is used (in a form with a prefix) in the first line of the poem. The narrator commands the Muse, “Tell me”: enn-epe. And epic poem is, at root, simply a tale that is told. (p. 1)
Odysseus, for anyone who would like a brief refresher, is one of the men who went off to fight in the Trojan War, a story told in The Iliad, the other Homeric epic (which I still have not read, despite several attempts). He left his wife Penelope and infant son Telemachus behind on their home island of Ithaca. This edition of The Odyssey provides several maps of the ancient Greek world, so readers need never feel lost, at least geographically. The war lasted ten years, and another ten years have passed since its end, and still Odysseus has not returned. The Odyssey tells the story of his attempts to return. It also tells the stories of the people left behind, and indeed the first several books of the epic follow his son, Telemachus, as he makes his own journey to try to find out what has happened to his father. Penelope has remained faithful to Odysseus, but she is beset by aggressive suitors, who want her to declare Odysseus dead and choose one of them to take his place. In the meantime, they are abusing Greek laws of hospitality and eating her out of house and home. Telemachus, though nearly grown, is not strong enough to battle the suitors alone.