It’s fitting that there’s an entire section on relatability in this part-cartoon, part-essay treatise on struggling with the muse. Skip To The Fun Parts is so deeply relatable for any creative who’s ever suffered from self-doubt — so, every creative — that it feels like Dana Jeri Maier has been watching me try to work and procrastinate and hate myself for not being superhuman. Most importantly tho, this book is her way of saying “I see you and I understand what you’re going through.” And honestly that’s a really valuable thing to have.
The short essays on the steps of the creative process are broken up by Ms Maier’s cartoons and doodles. The cartoons are as eminently relatable as the essays, tho I found the doodles to be a little less so. They’re filler, and they’re fine. Preexisting fans of Ms Maier’s work will love their inclusion here. Will they make fans out of people less familiar with her work? As someone who tends to place more importance on words than art, I can only safely say that her essays, at least, have made me take positive note of her work overall.
It helps, of course, that we’ve both lived and worked in Washington DC and its surrounding neighborhoods. So much of her life as described in this book feels intimately familiar to me, as she discusses commuting to a desk job, the impact of the pandemic, and how all that affected her creative work. But even divorced from these specifics, this book has lots to say about the joys and terrors of working in a creative field (tho mostly, let’s be honest, the latter.)
Because it’s hard, y’all! Book criticism is easily the least complicated of the creative work I do, and even that struggles to overwhelm me on the regular. At present, my weekly newsletter is a shambles, and I haven’t done any writing for role playing games in weeks! I’m a mess! But this book helped me feel less pitiful and alone. Other people have felt this defeated, too! And, miraculously, have come out the other side feeling better and happy and with, gasp, finished work in their hands!