Die Känguru-Comics written by Marc-Uwe Kling

and illustrated by Bernd Kessel

One of twenty-first century Germany’s best-known characters is a kangaroo. Talking, obviously, but less obviously a Communist, a fan of Nirvana (“The band?” asks Marc-Uwe Kling, narrator of the stories. “No, the Beyond,” says the kangaroo, and after a pause, “Of course the band! You like to pose unnecessary questions!” “Yes,” says Marc-Uwe.), a self-proclaimed veteran of the Viet Cong, and an even bigger fan of alcohol-filled bon bons. The kangaroo first appeared at the door of Marc-Uwe Kling’s Berlin flat — in an episode chronicled in 2008 for local radio station Fritz — hoping to borrow a frying pan to make some savory pancakes.

Känguru Comics

It soon transpires that the kangaroo also needs to borrow some salt. And some flour. Each time, the kangaroo — having introduced itself as the new neighbor from across the hall — lets Marc-Uwe close the door and presumably goes back to its own apartment before ringing again seconds later to ask for the next ingredient. Eggs, milk and oil follow soon after. Having collected all the necessary ingredients, the kangaroo returns to admit that it doesn’t yet have a stove in its apartment. (German houses and apartments are often sold or rented as basically just the four walls: no light fixtures, no appliances, no cabinets until the new residents install them.) Marc-Uwe invites the kangaroo in to cook. When the kangaroo is about to make a mess of the process, he takes over. Then the kangaroo asks if he can add some ground beef. When Marc-Uwe says he’s out of that just now, the kangaroo says he should go and buy some, it doesn’t mind waiting. “But don’t shop at Lidl! The labor conditions there are terrible!”

That’s the beginning of a beautiful friendship, and a cultural phenomenon. The Kangaroo Chronicles started as radio sketches, got collected into a multi-hour CD set, won a German prize for comedy in 2010 and were published in book form. The sketches continued, soon followed by second (The Kangaroo Manifesto), third (The Kangaroo Revelation), and fourth (The Kangaroo Apocrypha) collections in both book and audio formats. By 2020, the first two books had sold at least 2.5 million copies in Germany, and the first audio collection (which runs to nearly six hours) had sold more than a million times.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/09/06/die-kanguru-comics-written-by-marc-uwe-kling/

Dog’s Breakfast by Nicole J Georges

This book is quite straightforward about the contents including dog deaths, and I thought I was okay enough to read through all that, given that it’s been over a month since my own brave little Carl passed away. But the combination of Nicole J. Georges’ emotive storytelling and my own fresher-than-I-thought grief conspired to have me sobbing through the entire sections dealing with the deaths of her dogs, one so rapidly following on the other.

Even with that devastating experience aside, I found myself incredibly engaged with this collection of confessional comics and zines. Ms Georges writes in a way that makes me feel invested in her on-going endeavors, whether in the oblique references to her love and family lives, her careers in both cartoons and teaching, or just in her everyday concerns with her emotional and physical fitness. Perhaps it’s her disarming honesty that has me feeling so sympathetic to a life quite different from my own (or at least my own as it is now.) Reading her book felt almost like being entrusted with her diary. And I do mean that literally: it felt like I was being bestowed a gift, of trust, of confidence, of friendship at a remove, with this book.

So it was nice to settle in and read what felt like letters written to me from a friend, catching me up on her latest goings-on. Well, “latest”. These comics run from the first decade of the 2000s to the present day, tho the Invincible Summer zine projects span the decade from 2008-2018. It would probably help to already be familiar with Ms Georges’ work before diving in, but I had no difficulty losing myself in her stream of consciousness, as if we were old friends catching up again after being apart for a long while. To be clear: I don’t feel like I actually know her. I’m just grateful to have been given a chance to know these snapshots of her at those particular points in time.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/09/05/dogs-breakfast-by-nicole-j-georges/

The Spare Man by Mary Robinette Kowal

I like seeing writers stretching and trying new things. To date, and in addition to her short fiction which I have not read, Mary Robinette Kowal has published a completed series of five Regency romances with magical elements, an ongoing series of space exploration against the background of an Earth slipping into uninhabitability, a (so far) standalone novel set during the First World War in which spiritualism works, and a slightly spooky novella that’s a medium-future meditation on memory and authenticity. The Spare Man is an interplanetary mystery, set in a 2075 in which thousands of people can take a cruise from Earth to Mars for vacation. Permanent settlements on the moon and Mars are established enough that people can travel from one to another as tourists, but they remain in the background.

The Spare Man by Mary Robinette Kowal

All of the action takes place on the International Space Ship Lindgren, an interplanetary vessel that Kowal says in her afterword about the science “is bonkers” and that “no one would actually build. Except a cruise line.” Kowal takes as her main characters a newly married couple: Tesla Crane, traumatized inventor and rich-as-Croesus heiress, and her husband Shal (short for Shalmaneser) Steward, a recently retired detective of some renown. They’ve taken a luxury cabin for their honeymoon cruise, and they’re accompanied by Tesla’s service dog, Gimlet, who’s a Westie.

The Spare Man is an homage to the “Thin Man” movies of the 1930s and 1940s. Kowal works to present an updated version of black-and-white Hollywood glamour in space — banter and cocktails, yes; smoking and a lily-white cast of characters, no. The movies were billed as comedic mysteries, all in good fun with the occasional dead body, and so it is with The Spare Man. I haven’t seen any of the movies, so I can’t speak to how far the parallels go, or how well Kowal translates the style to another era and to interplanetary space. I could tell that she had fun writing this story, and that came across even when her leading couple were terribly inconvenienced, if not in too too much danger. There’s a cocktail recipe at the start of each chapter. Some are traditional, some were made up for the book; some are alcoholic, some are zero-proof; all appear drinkable. And on the Lindgren, practically every hour is cocktail hour, at least for the rich and investigative.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/09/01/the-spare-man-by-mary-robinette-kowal/

The Queen’s Favourite Witch #2: The Lost King by Benjamin Dickson & Rachael Smith

The first volume of The Queen’s Favorite Witch turned out to be an unexpected surprise, combining historical fact with an empowering tale of believing in yourself, and ending with a shocking twist. I’m genuinely impressed with how Benjamin Dickson and Rachael Smith have continued this series with a book that, while not as big on plot twists as the first — and in fairness there are still a lot of twists here! — is certainly as fresh, smart and delightful.

Which are all words that could also be used to describe our heroine Daisy, the court-witch-in-training in the retinue of Queen Elizabeth I. Under the supervision of court magician John Dee and his assistant Valentyne, she does her best to learn the skills she’ll need not only to serve her monarch but to help her survive in desperate circumstances. If only Lord Globbard would stop filling up all her free time by insisting she exorcise the East Wing of Richmond Palace to his satisfaction! She’s pretty sure the wing isn’t actually haunted, even if she has started having weird dreams of a ghost asking her to help find the person who murdered him.

Meanwhile, Queen Elizabeth herself is fending off her advisors’ insistence that she marry and provide an heir. The queen well knows that marrying will subjugate her to her king, who could very easily sideline her despite the excellent job she’s done running the country to date. But she finally concedes that there’s no harm in arranging for King Phillip of Spain to come visit, as a friendly gesture between nations whose relationship perhaps isn’t at its best.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/31/the-queens-favourite-witch-2-the-lost-king-by-benjamin-dickson-rachael-smith/

Storyland: A New Mythology of Britain by Amy Jeffs

Long-time readers here will know that I’m a huge mythology aficionado, so when I say that this book taught me so much that I didn’t already know about the history and myth of Britain, that is no mean feat!

The book started out pretty roughly, for me, as I tried to settle into the somewhat unusual format. Each chapter begins with a quote, then tells a myth from the history of Britain, usually accompanied by a woodcut, followed by commentary from art historian and academic Amy Jeffs as she retraces the steps and locales of the story. The chapters begin with the very earliest known myths regarding the way the rocks of Stonehenge were brought from Africa to Ireland by giants, following Geoffrey of Monmouth’s 1136 assertion linking Merlin to the Bible. For those of us whose exposure to British myth pretty much begins and ends with King Arthur’s Court (with bits regarding Boudicca and Roman legions thrown in for spice,) this is a pretty wild tale. Given too that it mostly takes place in not Britain, its inclusion puzzled me. It would soon enough prove to be an essential building block for everything that comes after.

Storyland continues on from this time between Genesis and The Flood, going through pre-history, the birth of Christianity, and on through the Middle Ages, as warring nobles seek to reinforce the legitimacy of their claims by tying themselves to divine right a/o to civilizations even older than Christ. It is fascinating to see the tides of conquest flood and recede as Britons, Scots, Danes, Angles, Saxons and Normans — and other factions I’m definitely forgetting — battle over the island now known as Great Britain, spinning tales of righteousness and propaganda as they go, tales that survive to this day.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/29/storyland-a-new-mythology-of-britain-by-amy-jeffs/

Dino Lab by Anson Montgomery

a Choose Your Own Adventure in the Dragonlark series for younger readers, so no death endings (tho the one pterodactyl ending was pretty ominous, IMO!)

I love the CYOA company’s kid’s line, which makes the classic game books that much more accessible, to both younger readers and the squeamish. I’m a big fan of interactive books, and Dragonlark allows kids to get into the subgenre without worrying about or being suddenly confronted by any bad endings. It amuses me how the slightly more advanced books actually do celebrate death endings on their covers, as their readers have most likely grown into that gruesome stage by then. My kids have certainly gotten there, clamoring for horror movies and other scary entertainment. Fortunately, books like this still serve as a welcome respite from the creepy stuff they consume otherwise.

My kids and I actually read this book together on a family trip this past weekend. Hilariously, my 12 year-old and I both got the same ending on our first, separate pass-throughs. My eldest 9 year-old twin was mostly interested in all the different dinosaur lore, as he is the most science-minded of my kids, so he really appreciated the section on dinosaur facts included in the back (my youngest is still not much of a reader, alas.)

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/28/dino-lab-by-anson-montgomery/

Katrina: A History, 1915–2015 by Andy Horowitz

If you worked for a while in an oil refinery in Louisiana in, say, the mid-1980s (as I did), part of your orientation was hurricane training. The briefing I attended noted that there are two places on earth where the combination of low elevation, coastline shape, concentrated population, limited escape routes, location relative to wind circulation, and a broad stretch of shallow water combined to make a hurricane strike extraordinarily dangerous to human habitation. One is the coast of Bangladesh. The other is New Orleans. Which is why when then-President George W. Bush said that the effects of hurricane Katrina on the city of New Orleans couldn’t have been foreseen, everyone who knew the first thing about the city knew that that Connecticut Yankee was telling a Texas-sized lie.

Katrina: A History 1915–2015 by Andy Horowitz

Andy Horowitz knows far more than the first thing about New Orleans, and he uses that knowledge judiciously in Katrina: A History, 1915–2015 to tell not only the harrowing tale of the days in 2005 when the long-feared day finally arrived when a hurricane’s fury overpowered the city’s defenses, but also the long before of how those defenses came to be inadequate as well as a decade of partial reconstruction. He manages all of that in fewer than 200 pages of main text. Starting early gives him room to tell a story of construction as well as destruction, and how intimately both were tied to economic and political power.

He deals more kindly than I would have with people who asked, in the aftermath of Katrina, why the city of New Orleans even existed. The Mississippi River basin covers a vast swathe of the United States. As long as there is oceangoing trade, there will be a port at the first practical place where ships from the high seas can meet river traffic. That’s New Orleans. Such fundamental facts of geography open up basic questions that Horowitz examines in detail. And when disaster strikes, people “reckon with fundamental questions: what should they try to save, what should they try to leave behind, and who should decide? Who deserves help, why, what kind, and from whom? What caused the disaster in the first place? And what does this disaster mean for the next one?” (p. 12) As for distinguishing “natural” from “man-made” disasters, Horowitz takes the position that “there is no such thing as a natural disaster, because who is in harm’s way is the product of political decisions and social arrangements.” (p. 13) In other words, a product of history, and thus a proper subject for a historian.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/27/katrina-a-history-1915-2015-by-andy-horowitz/

Der Zauberberg by Thomas Mann

Thirty years ago this spring I read half of Der Zauberberg (The Magic Mountain) during travels in southern Europe and stopped when I was no longer spending long stretches of time on busses or ferries, waiting for same, or otherwise doing the things that young people do when they have plenty of time and little free cash. I also caught up with friends I had made somewhere in Greece who had taken their copy of Foucault’s Pendulum with them back to Hungary before I could finish it. So I traded Mann’s mountain for Eco’s erudition, and never really went back.

A thirty-year-old edition of Der Zauberberg by Thomas Mann

I did leave a nice crisp 100-drachma note (about 30¢) on page 516, so I would know exactly where to start again if I ever returned to Mann’s story of a Swiss sanatorium in the early years of the twentieth century. The page itself is nothing special: it’s not the end of a section, much less a chapter, of which the thousand-page book has only seven. It’s just where I happened to stop on the last day when I read any of The Magic Mountain for the next three decades.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/25/der-zauberberg-by-thomas-mann/

Giantess by J.C. Deveney & Núria Tanarit

The Story of the Girl Who Traveled the World in Search of Freedom. Translated from the original French by Dan Christensen, with localization by Mike Kennedy.

This feminist fable follows the discovery a giant baby girl in a secluded mountain valley. The farmer who discovers her takes her in to be raised as the youngest child in a family that already consists of himself, his wife and their six sons. The farmer’s wife is thrilled to finally have a daughter and names her Celeste. Her six brothers, all with distinct personalities, grow just as fond of their sister as she does of them.

So she’s devastated when the years pass and each boy grows up and leaves their isolated home. Her father refuses to even think of her leaving to explore the wider world beyond their farmstead, in large part out of fear of how she’ll be treated by the rest of humanity: not merely because she’s a giant, but also because she’s a girl. When she comes across a smooth-talking peddler, she’s thus easy prey for his con artist ways, and embarks with him on a journey that sees her enduring the worst of her father’s fears, but also attaining greater heights than anyone in her family had ever dreamed.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/22/giantess-by-j-c-deveney-nuria-tanarit/

Ballet Bunnies #1: The New Class by Swapna Reddy & Binny Talib

I came home last night to discover that someone had stuffed my Little Free Library with ten assorted children’s books to go with the adult mysteries I usually carry. I wonder if I’m the only person who arranges strictly by size when it comes to their LFLs? I wasn’t a huge fan of how my otherwise generous benefactor shoved the books into my neatly arranged and curated shelf, but after sorting everything by size — which meant that kids book and adult books sat neatly next to one another; I’ve always read both and see no need to segregate them — I decided to keep this cutie for myself. And honestly it was the perfect book for me to wind down my day with, a cute story with even cuter illustrations, combining two of the cutest things in the world: children’s ballet and magical bunnies.

Millie is very excited to start ballet classes at Miss Luisa’s School Of Dance. Alas that she gets off on the wrong foot with her class’ queen bee, Amber, almost as soon as she walks in the front door. To make things even worse, she swiftly discovers that she’s woefully behind everyone else, and that neither her teacher nor most of her peers have a huge amount of patience for this.

After class ends and everyone else leaves, a distraught Millie wanders the studio while waiting for her mother. A noise from the curtained stage causes her to come across four magical bunnies in tutus. The Ballet Bunnies are not only very kind to Millie, but also offer to show her how to properly do the steps she was having trouble with in class. As Millie’s mother finally arrives to pick her up, they anxiously ask whether they’ll see Millie again next week. Given the rough time she’d had in class that day, Millie genuinely doesn’t know. The Ballet Bunnies will have to do their best to restore her confidence and remind her why she ever wanted to take dance lessons in the first place.

This is an extremely cute children’s chapter book that features diverse and adorable characters as a matter of course. Binny Talib’s expressive art perfectly compliments the text, with lots of pinks, purples and pastels to perfectly match a story about kid’s ballet. Swapna Reddy’s story is surprisingly realistic, with its depiction of mean kids, dance teachers who are definitely better at dancing than teaching, and tardy moms. I also loved Samira, the fellow student who 100% did the work Miss Luisa was supposed to.

Continue reading

Permanent link to this article: https://www.thefrumiousconsortium.net/2023/08/18/ballet-bunnies-1-the-new-class-by-swapna-reddy-binny-talib/