and illustrated by Bernd Kessel
One of twenty-first century Germany’s best-known characters is a kangaroo. Talking, obviously, but less obviously a Communist, a fan of Nirvana (“The band?” asks Marc-Uwe Kling, narrator of the stories. “No, the Beyond,” says the kangaroo, and after a pause, “Of course the band! You like to pose unnecessary questions!” “Yes,” says Marc-Uwe.), a self-proclaimed veteran of the Viet Cong, and an even bigger fan of alcohol-filled bon bons. The kangaroo first appeared at the door of Marc-Uwe Kling’s Berlin flat — in an episode chronicled in 2008 for local radio station Fritz — hoping to borrow a frying pan to make some savory pancakes.
It soon transpires that the kangaroo also needs to borrow some salt. And some flour. Each time, the kangaroo — having introduced itself as the new neighbor from across the hall — lets Marc-Uwe close the door and presumably goes back to its own apartment before ringing again seconds later to ask for the next ingredient. Eggs, milk and oil follow soon after. Having collected all the necessary ingredients, the kangaroo returns to admit that it doesn’t yet have a stove in its apartment. (German houses and apartments are often sold or rented as basically just the four walls: no light fixtures, no appliances, no cabinets until the new residents install them.) Marc-Uwe invites the kangaroo in to cook. When the kangaroo is about to make a mess of the process, he takes over. Then the kangaroo asks if he can add some ground beef. When Marc-Uwe says he’s out of that just now, the kangaroo says he should go and buy some, it doesn’t mind waiting. “But don’t shop at Lidl! The labor conditions there are terrible!”
That’s the beginning of a beautiful friendship, and a cultural phenomenon. The Kangaroo Chronicles started as radio sketches, got collected into a multi-hour CD set, won a German prize for comedy in 2010 and were published in book form. The sketches continued, soon followed by second (The Kangaroo Manifesto), third (The Kangaroo Revelation), and fourth (The Kangaroo Apocrypha) collections in both book and audio formats. By 2020, the first two books had sold at least 2.5 million copies in Germany, and the first audio collection (which runs to nearly six hours) had sold more than a million times.