The back cover asserts that A Song of Comfortable Chairs is “the one where Mma Potokwani saves the day,” and indeed she does, but this deep into the No. 1 Ladies’ Detective Agency series, getting there is all of the fun. Which is just as well, because all of this book’s storylines emerge from actions of the recurring characters. From time to time, Mma Romotswe worries that her agency does not have enough clients, or takes on too many pro bono cases, and A Song of Comfortable Chairs could be an example of where those worries come from. On the other hand, the off-hand remarks about follow-up, billing, and filing do at least imply the existence of paying clients, even if they are off-stage for this particular book.
There are several days that need saving. First, the furniture business owned and managed by Mma Makutsi’s husband is facing new competition that appears to have an uncanny knack of knowing just when his store will be having a special promotion, and how deep the discounts will be. The competitors have been cutting their prices even more right at the same time, capturing price-sensitive customers. These rivals are also importing sleek, modern chairs at a price that can’t be matched by traditionally built Botswana chairs. The imports are supported by an advertising campaign that emphasizes their stylishness and modernity, and that is helping the rivals snag customers who are conscious about their image. The competition is really putting the squeeze on Mma Makutsi’s husband’s business, which had hitherto been very prosperous. Having grown comfortable after her marriage, she is spooked by a possible slide back toward the poverty that she knew as a girl and worked so hard to escape.