Ooh, look, a standalone graphic novel from one of my favorite creative teams! And, interestingly, an object lesson in how to write a book that doesn’t explain everything yet still manages to feel both satisfying and complete, which I’ll delve into more later on in this review.
This is also my first review of the Graphic Novels slate for the 2025 Hugos. I’m still torn as to whether I want to do a complete roundup column for the category, but I can safely say that this was not my favorite of the bunch.
Which isn’t to say that it wasn’t good! Stephanie Hans’ art is spectacular as always, as is Clayton Cowles’ lettering. The Blah Blah Blah motif was a nice moment of levity in an otherwise grim book that essentially centers around the premise of unexpected compassion in the midst of devastation.
Essentially, Lori wakes up one day and discovers that everyone has disappeared. As a foster child, she’s used to feeling abandoned but still feels an intense sense of relief when she encounters Annette, a schoolmate with a much more optimistic outlook on life. Until, that is, they discover that food supplies are unexpectedly low and electricity no longer works either. Together, they go questing for food and safety, in a world that was already hostile to teenage girls even in times of abundance.
Unsurprisingly, the world has devolved into the standard dystopia of violent gangs taking the center of power, with nonconformists like Lori and Annette ekeing out an existence on the margins. The big difference here is that oversized wolves hunt the remaining humans, forcing our heroes to edge ever closer to capture by the local gang. Until, that is, someone shows them another way.








