Comic books, y’all. Ngl, I bailed from being a regular comics reader — I even had a box with a weekly pull list at my local comics store up till that point — around the time of Marvel’s House Of M fiasco in 2005, because I was so tired of reboots (and crossovers, but that’s another story altogether.)
So I kinda wish I’d known that Absolute Wonder Woman is a title that also comes from a rebooted line, DC Comics’ Absolute Universe. Aside: I can’t be the only person wanting to drop the silent e from the end of the adjective and chortle in a Russian accent, can I? Anyway, this Absolute Universe is a grimmer, darker world (yes, that sound you’re hearing is the audible rolling of my eyeballs) where superheroes are raised in hell instead of paradise. In Diana of Themyscira’s case, this is quite literal: instead of growing up as the beloved only child of a tribe of Amazons, she is given to the exiled witch Circe to be raised in the Underworld.
When a monstrous threat emerges to jeopardize the safety of Gateway City, a helmeted Diana emerges to save the city, first from Harbinger Prime and its minions, then from the greater threat of the Tetracide. Along the way, we learn more about Diana’s upbringing, her powers and how she escaped from Hell (tho not how she happened to show up in Gateway City just in time to save its residents. Maybe that’ll be explained in a future volume.) We’re also introduced to her supporting cast, including some well-loved names such as Steve Rogers, Etta Candy and Barbara Minerva.
As far as reboots go, I didn’t hate it, tho I did spend a lot of time thinking this would have been awesome as a story that was about another kickass Warrior Witch who had nothing to do with the Amazons. Wonder Woman has no monopoly on the cross-section of being female and powerful and kind, after all. This story would have been cool as hell were it about an original property, with kudos to Kelly Thompson for writing it so well.








