This year’s list of Hugo Award finalists in the category of Best Graphic Story of Comic is unusual in that for the first time since 2016 neither Saga nor Monstress is among them. The balance between one-offs and continuing characters/series is a little more usual, with three volumes from each. The ongoing series are a little unusual, in that one is the start of a new continuity, one is part of a long-running webcomic, and only one — the Wonder Woman book — features a familiar character from a traditional comics publisher. The three stand-alones are a children’s book that is almost entirely art, a graphic novel, and an adaptation of a beloved fantasy classic. I vastly preferred the stand-alone works, as will become clear from these notes on the finalists, in ascending order of my preference.
The Power Fantasy Volume 1: The Superpowers starts a story about superpowered beings in the post-WWII era, a story that will presumably run for a considerable number of additional issues. Doreen reviewed it here, and liked it much more than I did. I did not make it to the end of volume 1. A psionic massacre in the White House and, I think, across the US government is where I noped out. Under Trump 2.0, friends have had careers destroyed; the personal intervention of Elon Musk and his DOGE boys sparked gratuitous waste on an epic scale, and will cause many, many thousands of needless deaths. Friends who have stayed in public service have had their work made needlessly more difficult, just to stroke the overweening egos of rotten men. Others I was once close to but have not kept up with may have had their careers destroyed simply because it was their time to rotate back to the States instead of staying in the field. One friend was personally hounded out of an ambassadorial posting in a war zone because she would not tell egregious and easily disproven lies on Trump’s behalf. Though it was not a literal massacre like the one depicted in the book, it was close enough that I did not want to read more, not least because the prologue and couple dozen pages that served as an introduction did not have me invested enough in the characters to go along on a ride of cosmic destruction. The art was striking, but it did not induce me to care what happened to those people.









