Honestly grateful to the Hugo Awards for continuing this category after last year’s trial balloon, and thereby forcing me to think more about and read more poetry.
I’ve discovered that, generally speaking, there are two kinds of poetry I enjoy. One is the story in verse, structured much like a short story but with far stricter word choices. The other is the imagist poem, which attempts to capture a moment in the proverbial thousand words or less. Both categories are represented here, with some poems attempting both, to varying degrees of success.
Closer to the story side was my personal favorite of the bunch, Jennifer Hudak’s The World To Come. Since I generally read the list of nominees in alphabetical order (if I hadn’t encountered them in the wild already,) hers came last, and I’ll freely admit that I was perhaps a little dejected by the time I got to it. None of the other poems had really wowed me, and when I opened this file, I was less than convinced that a poem that began with a verse from Isaiah would manage it either. But this meditation on resurrection was beautiful and subversive and perfectly speculative, and was by far my top choice for this year’s award.






