I should have caught on much faster than I did that this novella is a retelling of Cinderella. I mean, “Cinder” is right there in the title, and the story’s very first word is “Ella,” as in “Ella’s father died of the poison in their tea.” Ella drank less tea and might have survived, except that the whole house gave a shudder when its master died, and that was exactly the moment when Ella, weak and dizzy from the poison, stood at the top of the stairs. She fell and cracked her skull on the seventh step.
People who picked up on the retelling faster than I did — or who read any description of the book at all — may have wondered how a dead girl is supposed to dance with a prince. Therein, of course, lies the tale. Ella’s stepmother, who poisoned the tea, is sufficiently wicked for any fairy tale. Marske makes her motivation understandable by showing her as a shrewd businesswoman who is terrified of falling back into the poverty from which she rose, but she seems to take murder in stride so that while she is understandably wicked, wicked she remains. Marske also suggests that Ella’s mother did not die a natural death, and so perhaps these two fairy-tale parents were well matched in their wickedness. At any rate Marske does not show any scenes of the marriage prior to the fatal tea-time; she is interested in examining and upending only certain parts of the Cinderella story, and what the parents got up to is not one of them.
The step-sisters are not yet as wicked as their mother, although one of them clearly has ambitions. Ella, for her part, is surprised to be a ghost, though returning to consciousness and manifesting take a bit of time. As Marske explains







