Being a dyed-in-the-wool nerd, I first learned of Simon Stålenhag from the role-playing game adaptation of his first book, Tales From The Loop (still haven’t played it tho, as is tradition.) I also haven’t had a chance to watch the TV version despite having a crush on Rebecca Ferguson, and will likely never choose to watch the Netflix version of Mr Stålenhag’s The Electric State, due to my aversion to the current incarnation of Crisp Rat.
So it was a bit of a surprise to learn that the latest art book from Mr Stålenhag is actually his wordiest yet. I still haven’t been able to read any of the earlier volumes but between the comments and, perhaps more quantitatively, the audiobook run times, Sunset At Zero Point would seem to have a lot more story than prior books, which were primarily art with snippets of narrative. The reason why becomes clear the further along you go in the story.
Let’s talk about the art first tho! Mr Stålenhag’s impressive photorealistic style features an alternate universe Sweden where developments strange to our reality are commonplace. He juxtaposes the surreal with the bucolic and the exotic with the everyday, for a vibe that’s only mildly unsettling due to its Uncanny Valley-ness. There is a bit of repetitiveness in some of the paintings depicting winter highways and abandoned machinery in the barrens, but that only serves to underscore the cyclical nature of the story.
As to that story! In SaZP, a collaboration between the US and Swedish militaries resulted in a catastrophic accident in the 1980s. A powerful explosion created an exclusion zone in a sparsely inhabited region of Sweden. The negative effects seem to be gradually wearing off with time, so that when the narrative picks up at the turn of the century, the existence of the EZ outside the small town of Torsvik is commonplace, even if it’s certainly extracted its toll on the residents there already.








